Quite often I’ll see singers lifting their chin or even standing on tip toes as they approach the top of the range. Partly, I think this is because we describe them as ‘high’ notes and ‘high’ means ‘up’. In all string instruments, pitch is determined partly by the tautness of the vibrating string. Stretch an… Read More »
The most important first step for any singer is gaining control of the vocal fold vibration. Although resonance and articulation play vital roles in the overall voice quality, the sound is fundamentally produced at the level of the vocal folds. To REALLY understand what happens when we sing, we need to strip away emotion and… Read More »
All sound is vibration. In other words, waves moving through the air, like ripples on a pond. Singing is no different – when you sing, you disturb the air between yourself and the listener. That’s a scientific fact, and not one that many people – even singers! – would dispute. But when it comes to… Read More »
A common problem I encounter when working with voice coaches is the difficulty they face when trying to demonstrate to their pupils. “It’s too low for my voice” “It’s too high for my voice” “I get tired singing in falsetto all the time” “The tone is just ‘wrong’” At a fundamental level, teaching by imitation… Read More »
Acting through song. It’s one of those phrases that gets used a lot in Musical Theatre. But what does it actually mean? dictated by the text, not where you are in your range. In essence, the tone of your voice should represent an emotion to the audience, and this should be dictated by the text,… Read More »
Clap your hands. Clap louder. Clap REALLY loud. What do you feel? You probably feel your hands stinging. The fingers and palms are packed with nerve endings, which is why we’re able to do so many various tasks with our hands, from stroking a baby’s cheek to pounding nails with a hammer. Imagine if your… Read More »